Skip to main content

Gymkhanas, Gumshoes and Trophy Guys

I have been trying to work out where my Female Misogynist Asshattery comes from, and I think some of it results from progressive influences on my reading material and education while I was growing up. I often reconsider my reading material in order to speculate on where I get my ideas, because books have always been a very strong influence on how I think and how I view the world. I read a lot of books from specific genres when I was young, and they presented me with ideas about life that were contradictory and have meant that I, thankfully, stand at an ideological fault line between several projections of women and their place in the world.

I am a reader first and foremost in life, and my Dad guided a lot of the decisions I made in my formative reading years. My Dad never restricted my reading, I could read whatever I want, and I took full advantage of this fact. At home I read the books from his childhood and they were a unique set of books to grow up on, because my father grew up in the Fifties and Sixties reading mainly American horse stories for boys. In substance his books were surprisingly similar to the American and Australian horse stories for girls in my school library during the Eighties and Nineties.

Young people need to learn responsibility, leave home, travel the world and find their destiny. In the books of my father’s childhood all this was accomplished by young men owning their first horse, learning to take care of the horse and tack, travelling to the frontier with the horse and their wits and learning to be an adult in the world. I loved these stories and didn’t even noticed the overwhelmingly male protagonists; my parents had worked hard to allow us to grow up on farms with horses, so I had enough of my own experiences as the female protagonist to fill many more books!

By the time the children’s stories of my generation were being written young men bonded with cars as a sign of freedom and young women were given horses, but the horses were mostly used in gymkhanas, and gymkhanas and teenaged-girl-politicking was of no interest to me. I was saved from insipid Pony Clubs by the marvelous Girl Gumshoes of my generation though – Trixie Belden, Robin Kane, Nancy Drew and others – who were thankfully way smarter and more interesting than their male counterparts from my Dad’s books. These young women were brave, intelligent, active and very determined characters that regularly saved their male friends from harm while solving mysteries and acing their homework. I adored them.

By twelve I was convinced that anything a boy could do, I could do, especially using my brain and showing responsibility in an adult world. Then I started reading the genre that shaped my adult life – spy fiction! Dad handed me Robert Ludlum, Jack Higgins, Frederick Forsyth and John Le Carre and I never looked back. I loved the history, the action, the politics and I loved the men – Jason Bourne from the BOOK was my first teenaged crush. The strangest legacy of those books however was the role of grown women in the genre – there was only ever one female, she had very hot and fast sex with the male protagonist and then either died as collateral damage, was hideously tortured because of her contact with him or simply appeared at the end of the book as a reward.

Unfortunately for me, I was young and I absorbed ideas without questioning the problematic relationships they would have with each other as I got older. On the positive side I thought that girls could do anything boys could do, and in less violent and more intelligent ways. On the negative side I absorbed the view of women that was inherent in books with male protagonists and while I never applied those rules to myself, I did apply them to other women. Thus I arrived at my own Female Misogynist Asshattery all because my reading development was not treated with actual Asshattery!

But the good news is that from the world of books about male spies I formed my own unique perspective on sex; men were created to look pretty, satisfy me in bed and turn up as a reward after I had saved the world. Don’t ask me how THAT happened, but it did, and I quite enjoy its use of one trope to the tune of another!

Comments

Popular posts from this blog

Textbook

Trust me, they know the climate science Let’s imagine for a moment that the 1% of Australia, with their university degrees, access to the best climate science and neoliberal think tank papers and their dominance in politics, were acting in rational self-interest. They know that the water and energy wars are coming and they have a country with unique assets: No land borders Renewable energy resources Space and minerals Industries that specialise in extracting minerals Industries that can be turned to R&D and manufacturing An education system to get citizens to the point of carrying out necessary R&D And a politically apathetic population that believes whatever the politicians tell them through monopolised and crippled information outlets. To be honest, if I were a conservative politician in Australia (and the way I was brought up, I may as well be), this is what I would do to ensure my political and social survival: I would claim the government didn’t believe i

Real People and Sex

EDITED: Edited for correct and current use of language on 9 March 2015, thanks to the followers and admins at One Billon Rising Australia . The most important thing to acknowledge is that even when trying to argue that we think about sex in an unhealthy manner, I used words that encouraged the same unhealthy attitude. It's all around us, this language that judges only one person in the multi-person act of sex. The second thing to acknowledge is that eighteen months of reading a lot of women's writing from all over the world, and eighteen months of a lot of experience with and thinking about sex, does tend to change a woman! For example, my first mainstream publication, all about sexual practice, that you can read right here . I had a very illuminating conversation a few weeks ago with a friend in which we discussed a character in a play. The character was a prostitute sex worker and the action for her character in the narrative revolved around her picking up a client i